第五章: 磁带2，B面 Cassette 2, Side B_十三个理由

But when the girl asks, I say coffee, because I'm cheap. The hot chocolate costs a whole dollar more.

She slides an empty mug across the counter and points to the pour-it-yourself bar. I pour in just enough half-and-half to coat the bottom of the mug. The rest I fill with Hairy Chest Blend because it sounds highly caffeinated and maybe I can stay up late to finish the tapes.

I think I need to finish them, and finish them tonight.

But should I? In one night? Or should I find my story, listen to it, then just enough of the next tape to see who I'm supposed to pass them off to?

"What're you listening to?" It's the girl from behind the counter. She's beside me now, tilting the stainless steel containers of half-and-half, low fat, and soy. She's checking to see if they're full. A couple of black lines, a tattoo, stretch up from her collar and disappear into her short, cropped hair.

I stir my coffee. "A spice rack." The creamer mixes in and the coffee turns a light brown with some dark coffee grounds rising to the surface.

I shake my head no and drop three cubes of sugar into my coffee.

"You wouldn't recognize me," she says. "I've changed a lot since high school." She rolls her heavily made-up eyes. "Thank God."

I still don't remember her.

I put down the mug then slide my hand into hers. Her palm is warm and soft.

"Cassette tapes?" She picks up the soy and holds it against her stomach. "Interesting. Anyone I've heard of?"

She looks a little familiar. Maybe her hair's different.

"We had one class together," she says, "but we didn't talk much."

I place a wooden stirrer into my coffee and mix it. "Which class did we have?"

"The only thing I got out of that class were splinters," she says. "Oh, and I made a piano bench. Still no piano, but at least I've got the bench. Do you remember what you made?"

She cradles the soy with her other arm then puts out her hand. "We went to school together, two years ago. You're Clay, right?"

I glance down at the yellow headphones hanging around my neck. "Just some tapes."

"Wood Shop."

A customer clears his throat at the counter. We both glance at him, but he doesn't look away from the drink list.

She turns back to me and we shake hands again. "Well, maybe I'll see you around, when there's more time to talk." Then she walks back behind the counter.

"I always thought you were the nicest guy," she says. "In school, everyone thought so. Kind of quiet, but that's okay. Back then, people thought I talked too much."

That's me. Nice Guy Clay.

A drop of warm coffee spills onto my finger. I watch it slide across my knuckles and drip to the floor. I rub the toe of my shoe over the spot till it disappears. And I recall, earlier today, watching a slip of paper fall outside the shoe store.

Would she still say that if she heard these tapes?

I head to the back of Monet's, toward the closed door that leads to the patio. Along the way, tables full of people stretch their legs or tilt back their chairs to form an obstacle course that begs me to spill my drink.

After Hannah's suicide, but before the shoebox of tapes arrived, I found myself walking by Hannah's mom and dad's shoe store many times. It was that store that brought her to town in the first place. After thirty years in business, the owner of the store was looking to sell and retire. And Hannah's parents were looking to move.

I had no idea the tapes were on their way to explain it all.

I'm not sure why I walked by there so many times. Maybe I was searching for a connection to her, some connection outside of school, and it's the only one I could think of. Looking for answers to questions I didn't know how to ask. About her life. About everything.

The day after her suicide was the first time I found myself at their store, standing outside the front door. The lights were out. A single sheet of paper taped to the front window said, WELL BE OPEN SOON in thick black marker.

A few days later, I went back. Even more notes were stuck to the glass.

It was written in a hurry, I figured. They just forgot the apostrophe.

On my way home from school earlier today, I went by the store one more time. As I read the dates and notes on each piece of paper, the oldest note became unstuck and fluttered to the ground, resting beside my shoe. I picked it up and searched the door for the most recent note. Then I lifted a corner of that note and stuck the older one beneath it.

On the glass door, a delivery person had left a self-adhesive note. Among a list of other options, "Will try again tomorrow" was checked.

I take a deep breath.

Because my turn is coming. I know that. And I want it to be over with.

They'll be back soon, I thought. They must have taken her home for the burial. Back to her old town. Unlike old age or cancer, no one anticipates a suicide. They simply left without a chance to get things in order.

Around the garden, to keep the atmosphere relaxed, the lights are kept low. Every table, including Hannah's in the far back corner, is occupied. Three guys in baseball caps sit there, hunched over textbooks and notebooks, none of them talking.

I go back inside and sit at a small table near a window. It overlooks the garden, but Hannah's table is hidden by a brick column choked with ivy.

I open the patio door at Monet's, careful not to spill any more of my coffee.

While I wait for her first words, I stare out the window. It's darker outside than in here. When I pull my gaze back and focus my eyes, I can see my own reflection in the glass.

As the stories go by, one by one, I find myself relieved when my name isn't mentioned. Followed by a fear of what she hasn't yet said, of what she's going to say, when my turn comes.

What did I do to you, Hannah?

I listen closer.

Shh!… in a movie theater or church.

At the crowded tables that fill the rest of the room, people talk. But the only words I understand are Hannah's. The other words become a muffled background noise occasionally tipped by a sharp laugh.

I roll my thumb over the volume dial. The static in the headphones gets louder so I turn it back down. And I wait.

I glance down at the Walkman on the table. There's still no sound, but the Play button is pressed. Maybe the tape didn't lock in place.

Guess what, Tyler Down? I found out.

And I look away.

Then Play again.

For example, you'd better be quiet -- extremely quiet -- if you're going to be a Peeping Tom. Because what if they heard?

I let out a breath of air. It's not me. Still not me.

Sometimes there's no one around to tell you to be quiet… to be very, very quiet. Sometimes you need to be quiet when you're all alone. Like me, right now.

So I hit Stop.

Shh!

Nothing.

Her voice, it's a whisper.

What if she… what if I… found out?

Shh!… if you're talking in the library.

Who knows where I'm standing right now?

Then I get it and shake my head, feeling so embarrassed for him.

If you said, "Outside Tyler's window," you're right. And that's A-4 on your maps.

I feel sorry for you, Tyler. I do. Everyone else on these tapes, so far, must feel a little relieved. They came off as liars or jerks or insecure people lashing out at others. But your story, Tyler… it's kind of creepy.

I set down my coffee, lean forward, and try to imagine her recording this.

What were you trying to catch me in the act of, Tyler? And were you disappointed? Or pleasantly surprised?

I lean back in my chair and close my eyes.

Okay, a show of hands, please. Who knows where I am?

I take my first sip of coffee.

And I feel a little creepy telling it, too. Why? Because I'm trying to get closer to you, Tyler. I'm trying to understand the excitement of staring through someone's bedroom window. Watching someone who doesn't know they're being watched. Trying to catch them in the act of…

A Peeping Tom? Tyler? I never knew.

Where is she?

Tyler's not home right now… but his parents are. And I really hope they don't come outside. Fortunately, there's a tall, thick bush just below his window, similar to my own window, so I'm feeling pretty safe.

Let's take a peek inside before you get home, shall we? The hallway light's on so I can see in pretty well. And yes, I see exactly what I expected -- there's a bunch of camera equipment lying around.

How are you feeling, Tyler?

There's a meeting of the yearbook staff tonight, which I know involves a lot of pizza and gossip. So I know you won't be home until after it gets all nice and dark. Which, as an amateur Peeping Tom, I appreciate very much.

I can't imagine what it was like for him to mail out these tapes. To know he was sending his secret into the world.

So thank you, Tyler. Thanks for making this so easy.

When Tyler heard this, was he sitting here at Monet's, trying to look calm while sweating up a storm? Or was he lying in bed staring bug-eyed out his window?

You've got quite a collection here, Tyler. A lens for every occasion.

Including nightvision. Tyler won a statewide contest with that lens. Firstplace in the humor category. An old man walking his dog at night. The dog stopped to pee on a tree and Tyler snapped the picture. Nightvision made it look like a green laser beam blasting out of the dog's crotch.

Before coming out here, I took the initiative to look up "candid" in the dictionary. It's one of those words with many definitions, but there's one that's most appropriate. And here it is, memorized for your pleasure: Relating to photography of subjects acting naturally or spontaneously without being posed.

I know, I know. I can hear you now. "Those are for the yearbook, Hannah. I'm the student-life photographer." And I'm sure that's why your parents were fine spending that kind of cash. But is that the only way you use this stuff? Candid shots of the student body?

Ah, yes. Candid shots of the student body.

So tell me, Tyler, those nights you stood outside my window, was I spontaneous enough for you? Did you catch me in all my natural, unposed…

A car coming up the road.

A long pause. Her breathing is soft. Controlled.

Wait. Did you hear that?

Shh!

It's you, Tyler. It's you. You haven't stopped the engine so I'm going to keep talking. And yes, this is exciting. I can definitely see the thrill.

Is it you, Tyler? It sure is getting close. And there are the headlights.

My heart definitely thinks it's you. My God, it's pounding.

The car's turning up the driveway.

I sit up and lean my elbows on the table.

Okay, Tyler. Here's the play-by-play. You're inside the house with the door shut. You're either checking in with Mom and Dad, saying everything went great and this is going to be the best yearbook ever, or they didn't buy enough pizza and you're heading straight for the kitchen.

It must have been terrifying for him to hear this. And it must be hell knowing he's not the only one.

Okay, listeners, ready? Car door… and…

I can hear it, just under Hannah's voice. The engine.

I cup my hands over both ears.

A door slams. Keys. Footsteps. Another door unlocks.

Behind her voice, tires roll across pavement. The engine idles.

As we wait, I'm going to go back and tell everyone how this all began. And if I'm wrong with the timeline, Tyler, find the other people on these tapes and let them know that you started peeping way before I caught you.

You'll do that, right? All of you? You'll fill in the gaps? Because every story I'm telling leaves so many unanswered questions.

Instead of asking questions, that night at the party, you started yelling at me.

In previous stories, I told you that the rumors you've all heard about me weren't true. And they're not. But I never claimed to be a Goody Two-Shoes. I did go out when my parents weren't home, but only because I could stay out as long as I wanted. And as you know, Tyler, on the night this all began, the boy I went out with walked me all the way to my front door. He stood there while I pulled out my keys to unlock the door… then he left.

Okay, confession time. The rule around my house when the parents are away is that I'm not allowed to date. Their feeling, though they won't bring themselves to say it, is that I might enjoy the date too much and ask the boy to come inside.

Unanswered? I would've answered any question, Hannah. But you never asked.

For example, how long were you stalking me, Tyler? How did you know my parents were out of town that week?

Or maybe no one's noticed. Why would they? Why should they care what I'm listening to?

Tyler's bedroom light is still off, so either he's having a detailed conversation with his parents or he's still hungry. Fine, have it your way, Tyler. I'll just keep talking about you.

I'm afraid to look, but I wonder if people in Monet's are staring at me. Can they tell, based on my reactions, that it's not music I'm listening to?

Were you hoping I'd invite the guy in? Or would that have made you jealous?

Either way, after I went inside -- alone!-- I washed my face and brushed my teeth. And the moment I stepped into my room… Click.

We all know the sound a camera makes when it snaps a picture. Even some of the digitals do it for nostalgia's sake. And I always keep my window open, about an inch or two, to let in fresh air. Which is how I knew someone was standing outside.

I stir my coffee with the wooden stick.

But I denied it. It was way too creepy to admit to myself on the very first night of my parents' vacation. I was only freaking myself out, I said. Just getting used to being alone.

I pulled the blankets over my body and undressed beneath them. Then I put on my pajamas, doing everything as slowly as possible, afraid whoever was outside might snap another picture. After all, I wasn't totally sure what a Peeping Tom got off on.

Still, I wasn't dumb enough to change in front of the window. So I sat down on my bed. Click.

But wait -- another picture would prove he was there, right? Then I could call the police and…

Or maybe it wasn't a click, I told myself. Maybe it was a creak. My bed has a wooden frame that creaks a little. That was it. It had to be a creak.

Stupid? Yes. But did it make sense? Yes… at the time.

Such an idiot, Tyler. In middle school, some people thought you were mentally challenged. But you weren't. You were just an idiot.

But the truth is, I didn't know what to hope for. My parents weren't home. I was alone. I figured ignoring him was my best option. And even though he was outside, I was too afraid of what might happen if he saw me reaching for the phone.

You should've called the cops, Hannah. It might have stopped this snowball from picking up speed. The one you keep talking about.

So why was it so easy for Tyler to see into my room to begin with? Is that what you're asking? Do I always sleep with my shades wide open?

Good question, victim-blamers. But it wasn't that easy. The window blinds were kept at an angle exactly as I liked them. On clear nights, with my head on the pillow, I could fall asleep looking at the stars. And on stormy nights I could watch lightning light up the clouds.

The one that ran over all of us.

I've done that, fallen asleep looking outside. But from the second floor, I don't need to worry about people seeing in.

When my dad found out I kept the blinds open -- even a crack -- he walked out to the sidewalk to make sure no one could see me from the street. And they couldn't. So he walked from the sidewalk, straight across the yard, up to my window. And what did he find? That unless they were pretty tall and standing right outside my window on their tiptoes, I was invisible.

So how long did you stand like that, Tyler? It must have been pretty uncomfortable. And if you were willing to go through all that trouble just to get a peek at me, I hope you got at least something out of it.

Had I known it was Tyler at the time, had I snuck under the blinds and looked up to see his face, I would've run outside and embarrassed the hell out of him.

He did. But not what he wanted. Instead, he got this.

Wait! Here you come. We'll save that story for later.

In fact, that brings up the most interesting part of…

Let me describe Tyler's window for the rest of you. The shades are all the way down, yet I can see in. They're made of bamboo, or fake bamboo, and between each stick are varying amounts of space. If I stand on my tiptoes, like Tyler, I can reach a fairly wide-open gap and see in.

I groan. Please don't do anything stupid, Tyler. It's your room, you can do what you want, but don't embarrass yourself anymore.

Maybe I should warn him. Give him a chance to hide. To undress underneath the covers. Maybe I should tap on the window. Or pound or kick on the wall. Maybe I should give him the same paranoia he gave me.

Okay, he's turning on the light and… he shuts the door. He's… he's sitting on the bed. He's yanking off his shoes and… now his socks.

I push my mug of coffee, not even half finished, to the far end of the table.

So why? Why am I here?

After all, that's why I'm here, right? Revenge?

She's getting louder. Does she want to get caught?

No. Revenge would have been fun. Revenge, in a twisted way, would have given me some sense of satisfaction. But this, standing outside Tyler's window, satisfies nothing. My mind is made up.

Well, what have I said? I just said I'm not here for me. And if you pass the tapes on, no one but those of you on the list will ever hear what I'm saying. So why am I here?

It's one of those streets with trees on either side, their branches meeting high above like fingertips touching. Sounds poetic, doesn't it? I even wrote a poem once comparing streets like this to my favorite childhood rhyme: Here is the church, here is the steeple, open it up… yadda, yadda, yadda.

Tell us. Please, Hannah. Tell me why I'm listening to this. Why me?

I'm not here to watch you, Tyler. Calm down. I don't care what you're doing. In fact, I'm not even watching you right now. My back's against the wall and I'm staring at the street.

Well, she was definitely not the girl for that job. This girl's got a twisted side that very few of you know about.

She smiled and raised an eyebrow. "Do you think he'll come back?"

"I always wondered what that'd be like," she said. "Having a Peeping Tom is kind of… I don't know… sexy."

Honestly, the thought of him coming back never occurred to me. But now it was freaking me out. "What if he does?" I asked.

But I'm talking about Tyler now. And I'm still on Tyler's street. His dark and empty street. He just doesn't know I'm here… yet. So let's wrap this up before he goes to bed.

One of you even read that poem I wrote. We'll talk about that later.

Definitely twisted. But who is she?

"A Peeping Tom?" she said. "You mean, a real one?"

And why do I care?

Again, it's not me. I didn't even know Hannah wrote poetry.

At school the next day, after Tyler's visit to my window, I told a girl who sat in front of me what happened. This girl's known for being a good listener, and sympathetic, and I wanted someone to be afraid for me. I wanted someone to validate my fears.

"I think so," I told her.

Now, this girl and I had never hung out. We took a lot of the same electives, we were nice to each other in class, and sometimes we talked about hanging out, but we never did.

"Then you'll have to tell me about it," she said. And then she turned back around, ending our conversation.

Here, I thought, was a golden opportunity.

After school I went home with her to grab her stuff. Then she came over to my house. Since it was a weeknight and she was probably going to be out late, she told her parents we were working on a school project.

I tapped her on the shoulder and told her that my parents were out of town. How would she like to come over and catch a Peeping Tom?

We finished our homework at the dining room table, waiting for it to get dark outside. Her car was parked out front as bait.

God. Does everyone use that excuse?

I squirm a little, shifting in my seat.

Two girls. Irresistible, right?

We moved into my bedroom and sat cross-legged on the bed, facing each other, talking about everything imaginable. To catch our Peeping Tom, we knew we needed to keep the talking quiet. We needed to hear that first… Click.

Then she covered her mouth and ad-libbed. "Oh my God! You let him touch you where?"

I straddled her back. Click.

I nodded.

"You're evil," I whispered.

Pushed aside her hair. Click.

Her mouth dropped open. Her eyes, I've never seen them that happy.

She whispered for me to keep talking. "Pretend you didn't hear. Just play along."

I sincerely hope you burned or erased those pictures, Tyler. Because if they get out, even if it's not your fault, I'd hate to think what might happen to you.

"You know what I could use?" she asked. "A nice, deep, back massage."

She winked at me, then got up on her knees and worked her hands forward like a cat stretching until she was all the way down on my bed. Click.

We "gossiped" for a couple minutes, trying to hold back any inappropriate laughter -- the kind that would've given us away. But the clicking stopped and we were running out of things to gossip about.

And began rubbing her shoulders. Click. Click.

She turned away from the window and whispered, "You know what it means if he stops taking pictures, right?"

"Oh well," she said.

"No way," she said. "I'm not leaving until I find out if I know him. What if he goes to our school?"

She told me to follow her lead, then she rolled out from under my legs. According to her plan, when she said "three," I was to charge the window. But I thought the Peeping Tom might have left -- might have gotten scared -- because there hadn't been a click since I climbed off of her.

But that didn't happen.

"It means he's doing something else." Click.

"What if he does?" I asked.

I kept rubbing her shoulders. In fact, I thought I was doing a pretty good job because she stopped talking and her lips curled into a beautiful smile. But then she whispered a new idea. A way to catch this pervert in the act.

That sound sent my anger through the roof. Okay. I can play this game, I thought. "Look in my top drawer."

I told her I didn't.

"It's time for some body lotion," she said. Click.

I told her no. One of us should just leave the room, say we need to use the bathroom, and call the cops. We could end it right there.

"I didn't know you were into this," she said, nice and loud. "We should use it… together."

The other girl, she wasn't looking at your face, Tyler.

"Um, okay," I said.

Very clever, I thought. "Why don't you count them?"

I jumped at the window and yanked the cord. The blinds flew up. I looked for your face but you were moving so fast.

Beneath my arms, my shirt is slightly damp. I shift uncomfortably in my seat again. But, God, I can't stop listening.

She reached into the drawer, pushed some things around, then covered her mouth again. "Hannah?" she said. "How many of these do you have? You are definitely a naughty girl." Click. Click.

I slid one foot off the bed.

So she did. "Let's see, now. Here's one… and two…"

"…three!"

"Oh my God!" she screamed. "He's cramming his dick in his pants."

What? There was nothing in my drawer worthy of a reaction like that. There was nothing in my whole room worthy of that.

She pointed to the drawer nearest the window and I nodded.

She pulled open the drawer, looked inside, and covered her mouth.

Tyler, wherever you are, I am so sorry. You deserve this, but I'm sorry.

You are such an idiot, Tyler.

"What, me? Nowhere."

Why didn't you leave me alone, Tyler? My house. My bedroom. They were supposed to be safe for me. Safe from everything outside. But you were the one who took that away.

After your visits, I twisted my blinds shut every night. I locked out the stars and I never saw lightning again. Each night, I simply turned out the lights and went to bed.

Hey, at least you're original. And at least you stopped coming around my house. But your presence, Tyler, that never left.

And for some reason, telling me you were nowhere made your eyes twitch and your forehead break into a sweat.

So who were you? I saw your height and your hair, but I couldn't see your face clearly enough. Still, you gave yourself up, Tyler. The next day at school I asked so many people the exact same question, Where were you last night? Some said they were at home or at a friend's house. Or at the movies. None of your business. But you, Tyler, you had the most defensive -- and interesting -- response of all.

Well… not all of it.

Her voice trembles.

But you took away what was left.

She pauses. And within that silence I realize how intensely I've been staring at nothing. Staring in the direction of my mug on the far end of the table. But not at it.

I want to, but I'm too intimidated to look at the people around me. They have to be watching me now. Trying to understand the pained look on my face. Trying to figure out who this poor kid is, listening to outdated audiotapes.

So how important is your security, Tyler? What about your privacy? Maybe it's not as important to you as it was for me, but that's not for you to decide.

I look through the window, past my reflection, to the barely lit patio garden. I can't tell if anyone's still there, beyond the brick-and-ivy column, sitting at her table.

So who was this mystery girl featured in your story, Tyler? Who smiled so beautifully when I rubbed her back? Who helped me expose you? Should I tell?

A table that, at one time, was Hannah's other safe place.

That depends. What did she ever do to me?

A massive thesaurus sits beside a dictionary that's missing its hardcover spine. Down the exposed paper spine someone wrote DICTIONARY in heavy black ink. Stacked on the same shelf, each in a different color, are five books. They're approximately the same size as yearbooks, but purchased for their blank pages. Scribble books, they call them. Each year, a new one is added and people scrawl whatever they want inside. They mark special occasions, write horrible poetry, sketch things that are beautiful or grotesque, or just rant.

There's a long pause. A rustling of leaves.

Don't worry. You'll find out soon enough.

I hear it. She taps on the window. Twice.

Oh, and Tyler, I'm standing outside your window again. I walked away to finish your story, but your bedroom light has been out for some time… so I'm back now.

But I'm ready for it to be me, Hannah. I'm ready to get this over with.

Knock-knock, Tyler.

I slip off the headphones, wrap the yellow cord tightly around the Walkman, and tuck it in my jacket pocket.

Across the room, Monet's bookshelf is loaded with old books. Discards, mostly. Paperback westerns, New Age, sci-fi.

Carefully weaving through the crowded tables, I walk over to it.

For the answer… insert tape three.

Since most people date their entries, I flip toward the back. To September. And there it is.

Each book has a scrap of duct tape on the spine with a year written on it. I pull out the one from our freshman year. With all the time Hannah spent at Monet's, maybe she wrote something in here. Like a poem. Or maybe she had other talents I didn't know about. Maybe she knew how to draw. I'm just looking for something apart from the ugliness of these tapes. I need that right now. I need to see her in a different way.

Jessica Davis. Alex Standall. Hannah Baker.

To keep the page, I shut the book on my index finger and take it back to my table. I take a slow sip of lukewarm coffee, reopen the book, and read the words scribbled in red ink near the top: Everyone needs an olly-olly-oxen-free.

It's signed with three sets of initials: J. D. A. S. H. B.

It's Hannah.

Below the initials, pressed into the crease between the pages, someone stuck an upside-down photograph. I pull it out, flip it over, then spin it rightside up.

She looks nervous, I think.

God, I love her smile. And her hair, it's still long. One of her arms is wrapped around the waist of another student. Courtney Crimsen. And behind them is a crowd of students. Everyone's either holding a bottle, a can, or a red plastic cup. It's dark at the party and Courtney doesn't look happy. But she doesn't look mad, either.

Why?